The subject of this paper is an analysis Jean Ott’s theater play Les Trois Aveugles de Compiègne. In his adaptation a 13th-century famed “fabliau” Ott (1878–1935), lesser-known French author, offers its receiver interesting intertextual play. manner that both parodic and nostalgic he appeals to the courtly topoi, treating it as signpost defines development action semantic scope work.

The current essay aims to highlighting a few aspects of the fine ‘art monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), particular, on most compelling play, Lei dunque capirà (2006). On one hand, play highlights masterly use stylistic/dialogic capacity monologue stage and, other, it offers an unprecedented extraord...

Sinemasal anlatılara kaynaklık eden edebi türler, aynı zamanda ilgili anlatının analiz aşamasında da bir yol haritası çizmektedir. Ruben Östlund’un yönetmenliğini yaptığı Force Majeure (Turist - 2014) isimli filmi anlatı analizi yöntemiyle çözümlerken; bu analize yazınsal tür olarak parodiyi incelemiştir. Kaynağı Antik Yunan’a dayanan ve önceleri basit anlamda “alaycı taklit” yorumlanan parodi,...

This paper outlines two approaches to the construction of computer systems that generate prose in the style of a given author. The first involves using intuitive notions of stylistic trademarks to construct a grammar that characterizes a particular author—in this case, Ernest Hemingway. The second uses statistical methods for inferring a grammar from samples of an author’s work—in this instance...

This article explores anti-racist, feminist performance and video art by kate-hers RHEE Patty Chang. Parodic performances of awkward sexual encounters in works such as RHEE’s The Chocolate Kiss (2013) Chang’s Product Love (2009) embody deconstruct identity formation within transnational German Asian American contexts. I explore how Chang distinctly challenge sexist racist stereotypes the object...