Nature appears in Merleau-Ponty’s early texts more as a context for a phenomenology of embodied existence than as a topic of interest in its own right.1 Since the philosopher became intensely interested in nature only from 1955 or 1956 on, one might think that an exploration of the earlier phenomenology of perception and behavior constitutes a digression from the later “new” ontology. Yet there...

ion. Merleau-Ponty and Heidegger would not even dream of decoupling an animal from its environment, or decoupling humans from one another, but in their analyses they seem to decouple animals from their congeners, and take the individual animal-environment couple as their unit of analysis. While sensitive to other prejudices

1. Mensch, J.R. After Modernity. Albany: State University of New York Press, 1996, p. 169ff. 2. Stewart, D., & Blocker, G. Fundamentals of Philosophy. New York: The Humanities Press, 1996, p. 64ff. 3. Merleau-Ponty, M. Pllenomenology of Perception (Colin Smith, Trans.). New York: Ute Humanities Press, 1962, p.73ff. 4. Mensch, After Modernity, p. 62. 5. Luckmann, T. "On Intersubjective Constitut...

Este artículo plantea la tesis de que filosofía fenomenológica percepción Merleau-Ponty, en medida es crítica tanto del empirismo como idealismo, apunta hacia una forma realismo (realismo perceptual). Para argumentar favor esta idea y mostrar vigencia pensador francés, se contrastan los planteamientos éste con posturas “realismo especulativo” Meillassoux, “nuevo realismo” Gabriel plural” Taylor...

Resumo: Encontra-se, no título, a temática do artigo de Taminiaux: trata-se uma abordagem sobre relação entre filosofia e pintura, pensamento Merleau-Ponty. Ela desdobra-se em reflexões seu projeto superação das dicotomias clássicas sedimentadas na filosofia. O autor trata tema partir três eixos, todos interligados ou entrecruzados, interior da merleau-pontiana: percepção, o pintura. é oportuni...