A trend exists within locative media art of invoking the practices of the Situationist International (SI) as an art historical and theoretical background to contemporary practices. It is claimed that locative media seeks to re-enchant urban space though the application of locative technologies to develop novel and experimental methods for navigating, exploring and experiencing the city. To this...

In this theoretically oriented paper, we present an exposition of the phenomena of technological intersubjectivity that emerges in computer supported social interactional situations under two major themes. The first theme re-conceptualizes social interaction supported by various information and communication technologies (ICT) as appropriation of social affordances. The second theme explicates ...

Scholarship on refugee labour market participation regularly alludes to the temporal dimension of process, yet explicit engagement with it remains limited. I argue that researching temporalities employment re-entry is valuable as discerns recursive interrelation between social structure and individual agency advances or curbs trajectories refugees. Namely, refugees’ perceptions time inform thei...

Several studies have shown the value of categorization schemes such as the DeSanctis and Poole (1994) typologies of appropriation moves in illuminating aspects of technology adoption and use (e.g. Poole and DeSanctis, 1992; DeSanctis, et al, 1993; Chudoba, 1999). The DeSanctis and Poole typology has served as both sensitizing categories for the recognition of appropriation moves and as a tool f...

My goal in this position paper is to take a number of technologies I have been involved with as a starting point for some reflections on evolutionary patterns in the adoption and use of collaborative technologies. I put these two together because I believe that adoption and use must be seen as parts of the same process, and in fact that use can be seen as the continual re-adoption of technology...

How does one re-use pre-existing material in order to form an expanded choreographic practice of relating audio-visual archive without being considered stealing or lacking originality? Copying, re-using and appropriation, not innocent from copyright implications but often entrapped the modernist myth originality, are practices that have been enhanced by growth digital available on internet expa...