My initial premise is that virtual heritage environments currently do not provide a sense of ‘cultural’ engagement, and, secondly, that is it important to fulfill these needs. Indeed, how can we develop virtual environments for cultural applications that successfully evoke a sense of engagement or immersion? This paper suggests that the above issue has been indirectly addressed by entertainment...

My initial premise is that virtual heritage environments currently do not provide a sense of ‘cultural’ engagement, and, secondly, that is it important to fulfill these needs. Indeed, how can we develop virtual environments for cultural applications that successfully evoke a sense of engagement or immersion? This paper suggests that the above issue has been indirectly addressed by entertainment...

While virtual crowds are becoming common in non-real-time applications, the real-time domain is still relatively unexplored. In this paper we discuss the challenges involved in creating such simulations, especially the need to efficiently manage variety. We introduce the concept of levels of variety. Then we present our work on crowd behaviour simulation aimed at interactive real-time applicati...

This work is part of the larger research conducted in the scientific and disciplinary Research Unit, named Design for Cultural Heritage (DeCH), now Design & Culture, in the Design Department of Politecnico di Milano. It has been conducted in continuity with the research project PRIN 2010/12 “The design of cultural heritage through history, memory and knowledge: the immaterial, the virtual, the ...

Cultural heritage is increasingly put through imaging systems such as multispectral cameras and 3D scanners. Though these acquisition systems are often used independently, they collect complementary information (spectral vs. spatial) used for the study, archiving and visualization of cultural heritage. Recording 3D and multispectral data in a single coordinate system enhances the potential insi...

The European amount of digitized material is growing very rapidly, as National, regional and European programmes support the digitization processes by Museums, Libraries, Archives, Archaeological sites and Audiovisual repositories. The generation of digital cultural heritage is accelerated also by the impulse of Europeana that is fostering the European cultural institutions to produce even more...

In this letter, we propose a enhanced framework for a Personalized User Interface (PUI). This framework allows users to access and customize virtual objects in virtual environments in the sense of sharing user centric context with virtual objects. The proposed framework is enhanced by integrating a unified context-aware application for virtual environments (vr-UCAM 1.5) into virtual objects in ...

In this contribution to the ongoing early discussions about mobile and personal projectors we assess the state of the art using our grounding in previous user-centred work in urban environments, virtual heritage and museums. From this assessment we isolate the projector phone as a uniquely interesting new device and put forward a series of discussion points relating to three key conceptual issu...

Composite Higgs loop effects in the top mode standard model are discussed by using the Miransky-Tanabashi-Yamawaki (MTY) approach based on the Schwinger-Dyson equation. The top mass is obtained as 179 GeV for the Planck scale cutoff (Λ ≃ 10 GeV). This result is different from that of the Bardeen-Hill-Lindner (BHL) approach based on the renormalization group equation (RGE), with QCD plus Higgs l...