This paper will discuss about the role of the geopolitical location of South Africa in the development of movie and the cinema industry in this country. Despite of bringing ci-nema to South Africa by white Europeans, but the development of this phenomenon is mostly due to the geopolitical position of this country. It is interesting to know that ci-nema reached Africa in much the same time as it...

The project The Forking Paths aims to create a set of interactive cinematographic narratives, within an applied research that seeks to transfer the spectator from an extradiegetic level to an intradiegetic level, creating a metalepsis. The intention is, above all, to analyze the possibilities of the spectator’s identification as the main character, by the manipulation of the idea of time in Cin...

The authors investigated the relationship between cinema and psychopathy to describe and analyze the portrayal of fictional psychopathic characters in popular films and over cinematic history. From 400 films (1915-2010), 126 fictional psychopathic characters (21 female and 105 male) were selected based on the realism and clinical accuracy of their profiles. Movies were then analyzed by senior f...

Abbas Kiarostami set out his cinematic experience with works for children and about them. Despite the significant place this early phase of his oeuvre possesses in Iranian cinema, little has been done to analyze the ethical relations in these works. The major claim of this research project is that there are two major ethical conditions at the heart of ...

The generation of novelty is central to any creative endeavor. Novelty generation and the relationship between novelty and individual hedonic value have long been subjects of study in social psychology. However, few studies have utilized large-scale datasets to quantitatively investigate these issues. Here we consider the domain of American cinema and explore these questions using a database of...

To judge by contemporary cinema—think of Lars von Trier’s Melancholia (2011), or Terrence Malick’s To the Wonder (2012)—the claims of obsolescence as regards Wagner read like a chronicle of an end foretold. Aesthetic and political ambivalence, however, still remains the hallmark of Wagner’s aural effect, no matter how innocent the uses of his music (in cinema or elsewhere) might currently sound...

This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It takes as starting point the way film reflects, reveals and even plays on the straight, socially established interpretation of sexual difference which cont...

A digital editor provides the timeline control necessary to tell a story through film. Current technology, although sophisticated, does not easily extend to 3D cinema because stereoscopy is a fundamentally different medium for expression and requires new tools. We formulated a mathematical framework for use in a viewer-centric digital editor for stereoscopic cinema driven by the audience’s perc...