Instead of intertextuality, can one perhaps speak of an intervisuality? As a way of understanding how the meaning of images are shaped by other images related to or existing around them? As for intervisuality, I’m drawing on notions of intertextuality as introduced by Julia Kristeva[1]. Kristeva referred to texts in terms of two axes: a horizontal axis connecting the author and reader of a text...

What we tend to call postmodernism in literature today is usually characterized by intense self-reflexivity and overtly parodic intertextuality. In fiction this means that it is usually metafiction that is equated with the postmodern. Given the scarcity of precise definitions of this problematic period designation, such an equation is often accepted without question. What I would like to argue ...

Literatures of various cultures interfere with one another so that each of them may become part of another’s literary polysystem. Accordingly, the researchers, in this study, attempted to recognize what position Persian literary polysystem allowed English literature in particular Persian translations of English modern short stories to occupy during 1990-2005. This study also intended to find ou...

Even if A Stir of Echoes (1958) has often been overshadowed by Richard Matheson’s best-known novels I Am Legend (1954) and The Shrinking Man (1956), it should be given the credit it deserves as a novel that functions both as a reflection as well as a source of intertextuality. A Stir of Echoes is rooted in the tradition of the ghost story and the American gothic, but above all, it comprises mot...