As the most prominent novelist in contemporary Persian prose, Jalal Ale-Ahmad has had great influence on Persian writers, insofar as many writers have followed his suit. Employment of colloquial language is the characteristic style of his fiction. What makes his different, however, is mainly the employment of colloquialism in a subtle, precise and accurate way. Due to the extensive use of collo...

the aim of this article is to show social characteristics of modernist painters in iran. the main question is whether or not a stable pattern can be reached in order to show the effects of social factors on people to become artists. in order to find the answer, it is necessary to introduce social characteristics of iranian modernist painters. this article is theoretically related to the field o...

Previous critical readings of Toni Morrison’s novels, especially Paradise, largely emphasise the universal themes explored in her novels, namely, feminism, culture, psychology, and of course, her remarkable presentation of African-Americans in racial and cultural conflicts. Yet, there are major areas that remain unexplored in her works. One of the most conspicuous absences is Morrison’s dominan...

An event-related functional magnetic resonance imaging study of prefrontal cortex was conducted during which subjects performed a visual "oddball" target detection task. Exemplars of three stimulus categories were presented at a rate of one per 1.5 sec for 10 runs, each consisting of 132 trials. Standards were color squares of varying sizes that were presented on approximately 92% of trials. Ta...

Over the past century, the term picaresque has been fully incorporated into the metalanguage of Western national literatures: picaresque novel in English, novela picaresca in Spanish, roman picaresque in French, Schelmenroman or pikarescher Roman in German, Плутовско́й рома́н in Russian, romanzo picaresco in Italian, pikaresk-roman in Danish and Norwegian, and pikareskroman in Swedish. Novels fro...

ONE UNIVERSALLY acknowledged truth about the Victorians is that they loved their things.1 Deborah Cohen has recently argued that in nineteenthcentury England moral uplift came for the first time to be associated with the accumulation and harmonious arrangement of possessions; homedecoration turned into a saintly affair.2 The objects that pack Victorian parlors—aquaria, terraria, globes, books, ...