نتایج جستجو برای: new korean cinema adopts a cross

تعداد نتایج: 13821540  

Journal: :DEStech Transactions on Social Science, Education and Human Science 2020

Journal: :هنرهای نمایش و موسیقی 0
علی فتح طاهری دانشیار گروه فلسفه، دانشگاه بین المللی امام خمینی، قزوین، ایران مهرداد پارسا دانش آموختة دورة کارشناسی ارشد رشتة فلسفه، دانشگاه بین المللی امام خمینی، قزوین، ایران

in addition to his revolutionary philosophy and his fundamental criticism on psychoanalysis to which he owes his fame, gilles deleuze, the great philosopher, devotes an important part of his thought to formulating the ontology of cinematic image and hence turned out to be known as the only philosopher of cinema. thanks to the multiple classifications of images and creating philosophical concept...

Journal: :زن در فرهنگ و هنر 0
محمد عموزاده دانشیار گروه زبانشناسی دانشگاه اصفهان نسیم اسفندیاری دانشجوی دکترای دانشگاه اصفهان

supposing the reciprocity of relations between society and media, it is logical to investigate the social changes of women’s identity through inspecting the changes in women’s identity representation in media (particularly cinema). this paper aims to analyze the mutual effects of predominant social affairs of after-islamic revolution of iran on the manner of women’s representation in iran’s cin...

Journal: :Back Story Journal of New Zealand Art, Media & Design History 2016

Journal: :Asian nursing research 2007
Myungsun Yi Juhee Cho Dong-Young Noh Mi-Ryung Song Jung-Lim Lee Hee-Soon Juon

PURPOSE The purpose of this study was to adopt an instrument suitable for assessing the informational needs of Korean women with breast cancer. METHODS This was a cross-cultural adaptation into Korean and quantitative validation of the 52-item Toronto Informational Needs Questionnaire of Breast Cancer (TINQ-BC). In the validation phase, we assessed the psychometric properties of the instrumen...

Journal: :Journal of Intelligent Information Systems 2016

Journal: :Journal of Applied Business Research (JABR) 2011

2012
MIRIAM HANSEN

There tends to be a moment in the development of cultural practices when discourses of the recent past become history; they are no longer just outdated but, like bell-bottom jeans, mini-skirts and platform shoes, acquire historicity. This is what seems to have happened with film theory of the 1970s and early 1980s, particularly as it revolved around the notion of 'the spectator'. I am thinking ...

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