Anecdotal evidence has suggested that musical notation can trigger auditory images. Expert musicians silently read scores containing well-known themes embedded into the notation of an embellished phrase and judged if a tune heard aloud thereafter was the original theme (i.e., melodic target) or not (i.e., melodic lure). Three experiments were conducted employing four score-reading conditions: n...

This study presents the first two ERP reading studies of comma-induced effects of covert (implicit) prosody on syntactic parsing decisions in English. The first experiment used a balanced 2 × 2 design in which the presence/absence of commas determined plausibility (e.g., John, said Mary, was the nicest boy at the party vs. John said Mary was the nicest boy at the party). The second reading expe...

Two reading experiments were conducted to investigate the effect of phoneme repetition during silent reading (also referred to as the visual tongue-twister effect, see McCutchen & Perfetti, 1982; Perfetti & McCutchen, 1982) in conjunction with end-of-clause and end-of-sentence wrap-up effects (Just & Carpenter, 1982; Rayner, Sereno, Morris, Schmauder, & Clifton, 1989). In both experiments, read...

In human communication, direct speech (e.g., Mary said: "I'm hungry") is perceived to be more vivid than indirect speech (e.g., Mary said [that] she was hungry). However, the processing consequences of this distinction are largely unclear. In two experiments, participants were asked to either orally (Experiment 1) or silently (Experiment 2, eye-tracking) read written stories that contained eith...

Although copious research has investigated the role of phonology in reading, little research has investigated the precise nature of the entailed speech representations. The present study examined the similarity of "inner speech" in reading to overt speech. Two lexical decision experiments (in which participants gave speeded word/nonword classifications to letter strings) assessed the effects of...

We examined whether different encounters of reading material influence the likelihood of mind wandering, memory for the material, and the ratings of interest in the material. In a within-subjects design participants experienced three different reading encounters: (1) reading a passage aloud, (2) listening to a passage being read to them, and (3) reading a passage silently. Throughout each readi...