MPEG-1, layer 3 handsets equipped with dual loudspeakers and three-dimensional audio modules have received much attention in the market of consumer electronics. To create spatial impression during audio reproduction, the head-related transfer function (HRTF) and the crosstalk cancellation system (CCS) are key elements in many audio spatializers. However, there are many factors that one should t...

This paper investigates the use of a physical model template database as the parameter basis for a MPEG-4 Structured Audio (MP4-SA) codec. During analysis, the codec attempts to match the closest corresponding instrument in the database. In this paper, we emphasize the mechanism enabling this match. We give an overview of the final front end, including the pitch detection stage, and remaining p...

ABSTRACT The objective of the project is to implement compressed domain audio streaming capability to the Yima Personal Edition (Yima PE) streaming system. This project aims to implement application layer streaming components based on Request for Comment (RFC) 2250 and 3119 profiles for Moving Picture Experts Group (MPEG) Audio layer – III. The components are then integrated with the Yima strea...

The increasing impact of audiovisual media and film industry in particular has led researchers to think of audiovisual translation strategies. Huge investments in film industry need global markets. Hence, there is a need for qualified translations and systematic studies dedicated to this area are in great demand. This study aims to investigate translation strategies adopted in the translation o...

Status of This Memo This memo provides information for the Internet community. It does not specify an Internet standard of any kind. Distribution of this memo is unlimited. Abstract This document serves to register a media type for the Society of Motion Picture and Television Engineers (SMPTE) Material Exchange Format (MXF). MXF, defined by SMPTE 377M, is a standard wrapper format developed for...

What is the place for Internet Art within the paradigm of remote music performance? In this paper, we discuss techniques for live audiovisual storytelling with the Web browsers of remote viewers. We focus on the incorporation of socket technology to create a real-time link between performer and audience, enabling control of audiovisual media directly within the audiences' browsers. Finally, we ...

Audiovisual documents provide a wide range of content description through more descriptors from different media types. Indeed, the extraction of these descriptions has received an increasing attention. But, the lack of semantic description always persists. In fact, this lack affects the retrieval process. To address this problem, this paper describes an automatic and semantic description of cin...

Modern interactive means combined with new digital media processing and representation technologies can provide a robust framework for enhancing user experience in multimedia entertainment systems and audiovisual artistic installations with non-traditional interaction/feedback paths based on user affective state. In this work, the ‘Elevator’ interactive audiovisual platform prototype is present...

The increasing impact of audiovisual media and film industry in particular has led researchers to think of audiovisual translation strategies. Huge investments in film industry need global markets. Hence, there is a need for qualified translations and systematic studies dedicated to this area are in great demand. This study aims to investigate translation strategies adopted in the translation o...