Digital cinema (d-cinema) is the highest quality electronic motion imagery for entertainment. The cinema is presented in a theatrical environment, with high brightness projectors, high rate data transfer, and high resolution color imagery. The entertainment industry uses formats that are specific to film-based electronic imagery. This report describes software tools for viewing digital cinema s...

Türkiye’de iletişim bilimleri alanında son otuz yıldır birçok tez tamamlanmıştır. İletişim alanı, ve teknolojideki gelişmelere paralel bir biçimde yoğun akademik üretime sahne olmuştur. Bitirilen tezlerdeki artış, tezlerin incelenmesine yönelik araştırmaların da artmasına sebep Lisansüstü tezler üzerine yapılan incelemeler, alandaki belli konunun durumunu, gelişimini yönelimlerini ortaya koymak...

Appropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two works of digital fiction (a hyperfiction and an interactive fiction), demonstrating how it alters the...

The article focuses on the Italian cinema in building collective memory post-war transitional phase. It tackles neorealist humanism and descriptive style, together with its obliteration of Fascism. These features contribute to ‘cultural trauma’: a symbolic activity reshaping identity. Finally, scrutinizes non-fiction works representing contested area, political historical terms: Tr...

The article considers a number of genres Arctic films in the world cinema. Among them, some most common are horror (horror), thrillers (part I), dramas, science fiction and action II). socio-political climate times determined evolution influenced their semantic content structure. Their formation production flow has calendar milestone. In second half twentieth century, after end Great Patriotic ...