Watercolor painting is a western method, which concerned with the relationships of light and shadow as well brightness darkness. Chinese includes brush ink painting; there special method that known “boneless painting.” This technique involves directly color without outlining, it between freehand brushwork. Both, boneless watercolor are rich in expression, their techniques have many similarities...

This paper describes a digital project in which ink-and-wash painting, an East Asian art form with a 1,300-year history, is drawn in interaction with an audience. This project was intended to analyze the traditional thoughts and techniques associated with the ink-andwash painting of an orchid, a design that expresses Eastern philosophy. The project relies on an interactive technique to demonstr...

The paper presents an interactive painting system for generating high quality and artistic calligraphy characters and black ink paintings. The system is based on our original algorithm that is unique in physically simulating the dynamic diffusion of liquid ink into absorbent painting paper. The algorithm creates remarkably realistic strokes efficiently. For rendering 20 strokes in different siz...

Brushwork and ink dispersion make it difficult to render 3D common objects in the style of sumi-e painting. We use sphere mapping with brush texture and an image processing techniques to simulate brushstrokes and ink dispersion. The whole process is implemented in shaders running on Graphics Process Unit (GPU) that allows fast and highquality rendering 3D polygonal models in the style of sumi-e...

White Space Art, otherwise known as Xu Shi, is not only used to create a powerful visual drawing space, but also key composition principle and aesthetic feature in Chinese Ink Painting. This study focuses on the application of Art implementation artwork. In other words, which initiatively explore method combining approach technology with Painting Art. Through practical experience executed by au...

Abstract In order to study the image recognition technology of traditional Chinese painting and calligraphy based on pseudo linear directional diffusion equation. Firstly, in pixel domain, an overall style feature extraction algorithm ink histogram is proposed, then local area with most representative stroke located Sobel edge detection method obtain detail information describing stroke. Then, ...

In recent years, painterly rendering techniques have achieved remarkable success for simulating water color, oil and oriental ink paintings. Many artistic filters, such as [DeCarlo and Santella 2002; Collomosse and Hall 2006] have been proposed for converting real photos into painting style by applying the global operation with minimum user interaction. Although artistic filters are particularl...

This article aims to discuss the result of analysis Taoism principles in 1988 Chinese ink-wash animation Shan Shui Qing (Feelings Mountains and Water). In contrast popular animation, incorporates calligraphy landscape paintings that are rich charm traditional culture. The expression nationalisation is not only superficial "Chinese elements" form but more importantly, core cultural thought conve...

This paper to study the potential of expressing ink-and-wash painting through interaction, and present a direction that can coincide with modern paintings by developing ink-and-wash painting from a traditional aspect through analyzing the theories and tech-niques instilled in my works.This work is an interactive visualization of an oriental cymbidium using modern technology which our oriental a...

In this paper we present LazyBrush, a novel interactive tool for painting hand-made cartoon drawings and animations. Its key advantage is simplicity and flexibility. As opposed to previous custom tailored approaches [SBv05, QWH06] LazyBrush does not rely on style specific features such as homogenous regions or pattern continuity yet still offers comparable or even less manual effort for a broad...