Optical music recognition (OMR) is one of the most promising tools for generating large-scale, distributable libraries of musical data. Much OMR work has focussed on instrumental music, avoiding a special challenge vocal music poses for OMR: lyric recognition. Lyrics complicate the page layout, making it more difficult to identify the regions of the page that carry musical notation. Furthermore...

Traditional music recommendation systems rely on collaborative filtering to recommend songs or artists. This is computationally efficient and performs well method but is not effective when there is limited or no user input. For these cases, it may be useful to consider content-based recommendation. This paper considers a content-based recommendation system based on lyrical data. We compare a co...

A method is proposed for detecting the emotions of Chinese song lyrics based on an affective lexicon. The lexicon is composed of words translated from ANEW and words selected by other means. For each lyric sentence, emotion units, each based on an emotion word in the lexicon, are found out, and the influences of modifiers and tenses on emotion units are taken into consideration. The emotion of ...

The phenomenon of d'H6relle (1) is the expression of a lyric reaction occurring between a bacterium which is inducing an infection in an animal and a substance elaborated in that organism, probably by the leucocytes and other tissue cells, in response to the stimulus of the metabolic products of the invading bacterium. The important element of the reaction is that bacteria exposed to the lyric ...

This paper presents our on-going work to improve the lyric generation component of the Automatic Lyric Generation system for the Tamil Language. An earlier version of the system used an n-gram based model to generate lyrics that match the given melody. This paper identifies some of the deficiencies in the melody analysis and text generation components of the earlier system and explains the new ...

The meter of Greek lyric poetry shows great variation within and between lines regarding the shape, number and combinations of basic metrical units. We offer a simplifying analysis in terms of markedness, in which meters are defined by distinctive violations of linguistic constraints controlling rhythm, layering, binarity, and alignment. The constraints that are distinctively violated in meter ...