How can we re-empower opera singers, extending their control over accompaniment and vocal expressivity? To answer this question, I have opened a novel design space, Extending Opera, consisting of interactive artist–operated tools to be used on-stage. The research has its methodological groundings in Research through Design (RtD) and Research through the Arts (RttA). This particular method is co...

This study investigated several factors presumed to influence the intelligibility of song lyrics. Twenty-seven participants listened to recordings of musical passages sung in English; each passage consisted of a brief musical phrase sung by a solo voice. Six vocalists produced the corpus of sung phrases. Eight hypotheses derived from common phonological and prosodic principles were tested. Inte...

The purpose of the research is to analyze principles voices classification according German Fach system through prism integration Ukrainian singers into world music culture. methodology based on application method analysis classification, which makes it possible explore detailed differentiation professional opera singers. Source studies and music-theoretical methods were used during search rele...

Most Westem opera singers report feeling phonatory vibrations, i.e., vibrations caused by phonation, in different parts of their bodies while singing. As one perceives one's own voice quite differently from one's listeners, it has been hypothesized that phonatory vibrations may be useful as a feedback signal for the control of phonation. These vibrations have been examined in some articles whic...

In this paper we describe the development of a Hidden Markov Model (HMM) based synthesis system for operatic singing in German, which is an extension of the HMM-based synthesis system for popular songs in Japanese and English called “Sinsy”. The implementation of this system consists of German text analysis, lexicon and Letter-To-Sound (LTS) conversion, and syllable duplication, which enables u...

in clinical management of singers it’s important to identify risk components of vocal fatigue and glottic damage, predicting and assessing the vocal cost of the various vocal performances to avoid any risk. despite many difficulties, we made dosimetries on singers (9 opera and 9 musical) during live theatre performances. our aim was to evaluate phonatory behaviours before, during and after perf...

Current melody extraction approaches perform poorly on the genre of opera [1, 2]. The singer’s formant is defined as a prominent spectral-envelope peak around 3 kHz found in the singing of professional Western opera singers [3]. In this paper we introduce a novel melody extraction algorithm based on this feature for opera signals. At the front end, it automatically detects the singer’s formant ...