Guardadas as devidas especificidades de cada produção, o período publicação, a formação do escritor, faço uma leitura comparativa dos contos “Minha história verdadeira sobre fantasmas”, escritor hindu-americano Rudyard Kipling; e “A madre ouro”, brasileiro Hugo Carvalho Ramos, publicados respectivamente inicialmente em 1888 1917 à luz das teorias pós-colonialistas, ainda alinhavada por manifest...

The paper is to explain linguistical image of Rudyard Kipling in the poetry “The Ballad East and West” relate with family language over world. It found, words “west” “east” refer different location but it from similar pronunciation. like “atala” Sanskrit, “od” Greek, has relation word “Atlantic” English. data will be approached by philosophy language, particularly perspective fixed thing (Greek...

The subject of the study is Anglo-Indian community 1880s and reflection its characteristic features in works Rudyard Kipling mid-1880s - early 1890s newspaper essays, poems, short stories. Such as isolation, isolation from indigenous population India, hostility towards travelers who judge state country based on short-term visits, not understanding unique climatic, political, social conditions I...

Postcolonial discourse written in the aftermath of colonial practice reverts British authors nineteenth and twentieth centuries during which venture was its highest peak. The colonialist that used to be cultural centre literatures English marginalised colonised peoples, their language culture; pushed it peripheries. However, postcolonial fiction writers who wrote colonization forces limits come...

Some of the earliest writings to which we have access introduce myth a human child raised by wolves. Enkidu is “wild” friend Gilgamesh in eponymous Sumerian epic; Romulus and Remus Rome are infants who suckle from she-wolf Lupa; Mowgli's story has been told ever since he was conceived Rudyard Kipling The Jungle Book. While this wolf might seem imagine friendly way living with other-than-human b...

Construction of the Orient by 'West' in narrative imaginations involves numerous problematic distortions its depictions. This ‘construction’ follows view through ‘western gaze’, which establishes and further thrives on binaries hegemonies between Occident Orient, mainly processes ‘exoticisation’ ‘othering’. Kipling’s ‘Kim’ Davies’ adaptation book can be seen to employ gaze’ different manners ac...