This paper proposes a new unsupervised technique for clustering a collection of documents written by distinct individuals into authorial components. We highlight the importance of utilizing syntactic structure to cluster documents by author, and demonstrate experimental results that show the method we outline performs on par with state-of-the-art techniques. Additionally, we argue that this fea...

The present study explored the rhetorical representation of authorial identity signaled by interactive/interactional metadiscourse strategies and integral/non-integral citation patterns in international and Iranian local research article discussion sections. The study also explored variation in metadiscourse and citation resources across three subdisciplines of Language Testing, English Languag...

Academic writing is not just about presenting a set of ideas, but through the act of writing, the authors position themselves as individuals having particular identities which mostly reflect the dominant sociocultural values and practices of the discourse communities in which they are living and performing. The present study, using a mixed method approach, attempted to explore the evidences of ...

Architectural place identity belongs to the historical and cultural heritage related landscape architecture. It has a great impact both on observers’ perception of given space their emotional attitude as well. The aim this article is present an original method measuring architectural , including definition clarification analyzed concept. measurement indicator chosen phenomenon been presented ba...

The present study sets out to investigate the narrator’s textual position in Grass’s The Tin Drum. Although authorial self-dramatization through affinities with one or more characters in the work is undeniable, this study mainly concentrates on the inner interpenetrations of heteroglot utterances as uttered by an unreliable first-person narrator, Oskar Matzerath, in the light of the Bakhtinian ...

Authorial presence in tragedy, where the poet never speaks his own person and there is no master voice to guide our reception, elusive implicit. Despite tragedy’s polyphony purpose of this study analyze some sample passages from Sophocles’ Electra for textual traces its author’s as a response Aeschylus’ Oresteia. Each part focusing on different aspects self-reflexive poetics.

The question of minimal sample size is one of the most important issues in stylometry and nontraditional authorship attribution. In the last decade or so, a few studies concerning different aspects of scalability in stylometry have been published (Zhao and Zobel, 2005; Hirst and Feiguina, 2007; Stamatatos, 2008; Koppel et al., 2009; Mikros, 2009; Luyckx and Daelemans, 2011), but the question ha...

Critical geographers" concerned with cartography insist maps are first and foremost social artefacts that must be "read" as authorial documents rather than perceived as data statements. Their argument is typically dismissed as trivial because the relation between intent and output has rarely been demonstrated in a critical way. This article seeks to demonstrate the degree to which authorial int...