Theatre and performance scholarship has exhaustively theorised the political dimensions of drama: its strategies, capacities, materiality, with inherent potential as a site collision wit...

"The decade following the Romanian Revolution, generally known as “the transition,” saw radical changes in economic and social fabric of country, with one apparent exception: public theatre system. At same time, monopoly winners post-communism developed on discourse about transition traditional practices cultural production delayed any artistic representation that period for at least another de...

For serious imaging practitioners, the benefits of variety and economy in digital capture device selection come as a mixed blessing, among dizzying performance specification hype. This “specsmanship” has created a bazaar-like atmosphere where manufacturers’ claims of resolution, speed, and dynamic range resonate like those of so many market barkers. Through regulation, education, and enablement...

Humans are a coalitional, parochial species. Yet, extreme actions of solidarity are sometimes taken for distant or unrelated groups. What motivates people to become solidary with groups to which they do not belong originally? Here, we demonstrate that such distant solidarity can occur when the perceived treatment of an out-group clashes with one's political beliefs (e.g., for Leftists, oppressi...

Self-efficacy is a social psychological construct that is conceptualized from an agentic perspective and refers to the motivation to perceive oneself as a causal agent. A recent work place intervention within a division of a large Australian retail organization was designed to empower workers through the 4 sources of self-efficacy information: enactive attainment, vicarious experience, verbal p...

Over the past twenty years, a collection of theatre makers in Russia have staged suppressed and marginalised voices to engage with political social realities contemporary Russia. The wor...

The theatre practice of Heisnam Kanhailal and his cocreator performance, Sabitri is less words, speeches dialogues than found in conventional proscenium theatre. Both believe that has a language its own not necessarily verbal communication. In their theatre, action expressed more through body movements, physical gestures sounds spoken words as they non-verbal silent communication theatrical or ...

this article is about the educational values of children's theatre and its aim is to review and research the educational and nourishing characteristics of children's theatre in the schools. this article is based on the author’s ph.d. thesis under the title of “analytical study of the iranian children's theatre and evaluation of the findings” under the supervision of dr. seyed mos...

The research questions analysed in this book are directly related to the size and complexity of eighteenth-century British theatre. Celebrity, Performance, Reception’s underlying assumption is that, at least as far as any robust empirical method of recovery is concerned when linked to figures for consumption, Georgian theatre was the nation’s dominant culturally expressive form in the long eigh...