This paper proposes a new approach to conceptualizing digital and media art forms. This theoretical approach will be explored through issues raised in the process of creating a formal declarative model for digital and media art. This methodology of implementing theory as a way of exploring and testing it is intended to mirror the practices of both art making and computer processing. In these pr...

In this paper, I provide a brief introduction to my artistic practice combining the use of digital technologies with traditional methods for producing Islamic art. Looking at further examples of Islamic artworks by artists in the UK I describe how in some cases, the artworks are digital in themselves, using digital technologies as a medium and in other cases, the digital plays a part in the cre...

Although art appreciation / exploration is essentially a private experience, it cannot exist outside of a social context. Digital environments offer great potential for the enhancement of collaborative aspects of both art creation and art exploration. However, the current notion of a digital environment is vague and most often associated with the traditional concepts of computer use. Thus, the ...

We developed AirTransNote, an interactive learning system augmented by digital pens and PDAs for each student. All notes written on regular paper sheets are immediately digitized and transmitted to teacher’s PC, and recognized to generate feedback on responses. Our system helps students to recall process of thinking by reproducing drawings on a projected screen. We conducted an experimental lec...

For memory institutions both preservation and presentation of digital art is especially challenging. The digital toolset available to artists is almost infinite as well as their creativity using technology in unconventional ways. In contrast to other sources of digital artifacts with sector-wide quasi-standards on digital formats, each artwork presents a challenge of its own. Hence, each object...

This study is in the form of digilog [1] that synthesizes analogue sentiment and digital technology, which reinterprets the Four Gracious Plants in modern context. Interactive Ink-and-Wash Painting Project aims to enable audience to communicate with the work through synesthesia by expressing the four paintings of the Four Gracious Plants in interactive art. “Digilog Bamboo”, which is a part of ...

Evolutionary algorithms have been used in many ways to generate digital art. We study how evolutionary processes are used for evolutionary art and present a new approach to the transition of images. Our main idea is to define evolutionary processes for digital image transition, combining different variants of mutation and evolutionary mechanisms. We introduce box and strip mutation operators wh...