Process drama is a form of improvisational drama where the focus is on the process rather than the product. This form of improvisational activities has been used extensively in many domains. Role play, for example, has been used in health therapy as well as for training health personnel. Creative drama is a form of process drama that focuses on the use of story dramatization techniques; it has ...

Free AccessImportant Keywordshttps://doi.org/10.14220/9783737013444.259SectionsPDF/EPUB ToolsAdd to favoritesDownload CitationsTrack Citations ShareShare onFacebookTwitterLinkedInRedditEmail About Previous chapter Next FiguresReferencesRelatedDetails Download book coverOsnabrücker Studien zur Jüdischen und Christlichen Bibel.Volume 8 1st editionISBN: 978-3-8471-1344-7 eISBN: 978-3-7370-1344-4Hi...

this paper aims at describing the mechanism of german loanwords adaptation with respect to constraints of persian language and within ot framework. consequently the adaptation of consonant clusters and diphthongs as well as the phonemes substituted in loanwords will be examined. prince and smolensky’s (1993) optimality theory with its key notions of faithfulness and markedness constraints is su...

Emotion plays a central role in engaging drama. The conflicts between the characters in a play and the emotions involved in resolving them are the constituents of a dramatic structure, a plot. This premise leads to the assumption that a cast of characters driven by a simulation of the process described by the appraisal theory of emotion might realize dramatic structures by simply interacting in...

Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stance and the aims, the key role played by emotions seems to be a common aspect to most definitions of drama. Although the field of computational drama has acknowledged this trend, we argue that the role of emotions in character design deserves more attention, as it is the key to establish a distinct...

This study is the result of an attempt to investigate the differences between the Persian translated drama text (page) of each English drama text with its performance on the stage (stage) in Iran. In other words, the present researchers tried to find the implemented changes in page which make it real on the stage in the target language and culture in order to show that in drama translating and ...

Abstract The dramatic elements that are in Shellyseer have traveled for a long period of time and been affected by from different cultures, which means is result the evolution drama. This chapter draws attention to effect East West on each other, pointing out Aristotle’s Poetics —Western Theory—had Ghanem Al-Suliti’s —Eastern Literature. combines comparative literature with literary theory crit...