نتایج جستجو برای: fiction cinema

تعداد نتایج: 17114  

Journal: :Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 2014

Journal: :Nauka televideniâ 2023

Today, in the era of irreversible influence digital technology and Internet on people, there is a growing need to find approaches that describe principles constructing new subjectivity. Posthumanism pays special attention development these approaches. Popular cinema, with its deployed representations plots sensitive reaction cultural trends, successfully constructs such subjectivity by making w...

Journal: :هنرهای نمایش و موسیقی 0
ندا ضیاءبخش عضو هیات علمی، دانشکده هنر و معماری، دانشگاه آزاد اسلامی واحد رودهن مصطفی مختاباد امرئی دانشیار، گروه پژوهش هنر، دانشکده هنر، دانشگاه تربیت مدرس

natural light is one kind of light which its main resources are sun and starts. philosophers and researchers believe that spiritual and holy light not only includes material and quantified aspect, but also because of its non-physical properties always treats as a spiritual connector between god and man. light is the main part of existing which not only contacts to the surface of objects, but it...

English translations of texts associated with Arabic fiction remain largely unexplored from a sociological perspective. Drawing on Pierre Bourdieu’s sociology, this paper aims to examine the genesis of Arabic fiction translation into English as a socially situated activity. Works of Arabic fiction emerged in English translation in the early twentieth century. Since then, this intellectual field...

ژورنال: پژوهش های فلسفی 2012
موسی اکرمی, گلناز منطقی فسایی

This paper studies the role of the semiotic discussions of Charles Sanders Peirce, the American philosopher and mathematician, in the formation of Deleuze’s first leading book on cinema, Cinema 1: the Movement-Image,in whichthe author surpasses Peirce’s semiotics. We will show how Deleuze creates a new form of signs in his second leading book on cinema, Cinema 2: the Time-Image. Deleuze had tri...

2004
Tetsuro Fujii Kazuhiro Shirakawa Mitsuru Nomura Takahiro Yamaguchi

To transmit and display high quality movies via optical networks, a new Super High Definition (SHD) digital cinema distribution system with the resolution of 8-million pixel is developed. Its image quality is four times of HDTV in resolution, and enables us to replace conventional 35mm films. This system is based on JPEG 2000 coding technology and transmits high quality digital cinema over high...

Journal: : 2021

There is a reciprocal relationship between the advances in recording technology and film styles. This work shows effects of action cameras on non-fiction cinema by comparing two films that focus lives fishermen. While Drifters (1929) served as prototype for documentary film, Leviathan (2012), completely shot with cameras, referred not only an original documentary, but also art film. argues thei...

Journal: :IEDSR Association 2022

Popular American Film, which reached its peak in the 1980s, declined terms of quality following years. In 1990s, Film Industry has managed to survive thanks blockbusters such as “Terminator II”, “Titanic” (D: James Cameron) and works extraordinary directors David Fincher, Lynch, Spike Lee Quentin Tarantino. The these artists, who created a different understanding Cinema were also part Art Films...

Journal: :Revista antHropológicas 2023

This article explores the rumor of cortacabezas from two types narratives. One, construction and circulation how it conveys indigenous perceptions about danger devastation beings worlds. Two, an analysis its visuality, images produces a series cinematographic bets that translate ethnographic approaches to have allowed us expand debates on cultural extractivism, interventionism predation in Amaz...

Journal: :Critique: Studies In Contemporary Fiction 2023

The UK has a rich calendar of folkloric traditional customs that continue to occur in our communities, even when their purpose is archaic or unknown. Folk Horror most associated with cinema and television, filmmakers consciously use as “summoning,” epitomize the horror landscape, isolation characters “skewed moral beliefs” (Scovell, “The Chain”). Though scholarship new emerging, this paper aims...

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