Abstract Leonardo da Vinci’s extensive drawings and notes devoted to anatomy do not arise in a medical context. He does engage with surgery or “physic.” Rather, his aim is reveal what he understood be the divine engineering of God’s greatest creation. His earliest anatomical map conduits for “spirits” at deep level practiced by other artists interested human body. The first set produced 1489 de...

Abstract The purpose of this article is to provide a survey the interpretation Revelation 19–21 in early North African Christian communities (II–III century). These chapters refer one most controversial passages John’s Apocalypse (the eschatological war, millennial kingdom, and descent New Jerusalem). After brief methodological reflection, will investigate how these were interpreted not only La...

There has been a lot of debate among Muslim scholars on the elements I'jāz al- Qurān or inimitability Qurān, particularly bayāni which examines language aspects. However, al-Ījāz brevity and al-Iṭnāb verbosity, are part al-Qurān that influence text's meaning, given less attention. This is because most focused their research specific aspects ‘Ilm al-Bayān, such as al-istiʻārah, al-tashbīh, alkin...

[A person is] a flow of powerful subjective life, conscious and unconscious; a whispering gallery in which voices echo from the distant past; a gulf stream of fantasies with floating memories of past events, currents of contending complexes, plots and counterplots, hopeful intimations and ideals... A personality is a full Congress of orators and pressure groups, of children, demagogues, communi...

Invited for this month's cover is the group of Dr. Ijaz Ul Mohsin. For first time, total heat generation and self-discharging phenomena magnesium batteries containing Chevrel Phase Mo6S8 organic 14PAQ are compared different electrolyte solvents using sophisticated calorimetry. Noticeable differences observed in tetraglyme solvent stable cycling fewer self-discharge detected. However, activation...

Abstract Allusions to gendered violence and sexual assault in Samuel Beckett’s works raise difficult questions today’s classroom theatre auditoria. So too does the physical subjugation that female actors often endure on stage. How far might our post-#MeToo sensibilities usefully inform reading of instances sexualised theatre? This article focuses Not I as a playtext combines intimations with hi...