misogyny, Gilman exaggerates his anti-Semitism, arguing that Freud's theories on creativity were universalizations of traits Weininger had considered to be quintessentially Jewish. (Gilman does not deign to tell us why, if Weininger's anti-Semitism was indeed so significant, it was wholly ignored by such openly anti-Semitic readers as Karl Kraus, who celebrated Weininger merely as a misogynist....