نتایج جستجو برای: symbolic designs and signs

تعداد نتایج: 16840129  

Journal: :trauma monthly 0
hamidreza rasouli trauma research center, baqiyatallah university of medical sciences, tehran, ir iran maryam rezaee trauma research center, baqiyatallah university of medical sciences, tehran, ir iran zahra danial trauma research center, baqiyatallah university of medical sciences, tehran, ir iran; trauma research center, baqiyatallah university of medical sciences, p.o.box: 1436614313, tehran, ir iran. tel.: +98-2188053766, fax: +98-2188053766

ژورنال: پژوهش هنر 2020

In a wide range of fabrics attributed to Sasanian era, animal motifs are observable in the form of geometric designs, including medallions. The case study in the present paper concerned animal motifs of Sassanid textiles with a focus on natural and non-domesticated animals that were able to be depicted in the form of a Medallion design alone and without the presence of a hunter. According to th...

2013
Amy R. F. Bond Darryl N. Jones

Wildlife warning signs are the most commonly used and widespread form of road impact mitigation, aimed at reducing the incidence of wildlife-vehicle collisions. Evidence of the effectiveness of currently used signs is rare and often indicates minimal change in driver behaviour. Improving the design of these signs to increase the likelihood of appropriate driver response has the potential to red...

1999
Gerd Ritter Holger Hinrichsen Hans Eveking

Formal veriication tools must often cope with large memory sizes and indirect addressing. This paper presents a new approach of how to handle memory operations in the symbolic simulation of designs with complex control logic, e.g., processors. The simulator is currently used to check the equivalence of two processor descriptions with distinct order of memory operations. During symbolic simulati...

2003
Jürgen Ruf Prakash Mohan Peranandam Thomas Kropf Wolfgang Rosenstiel

Assuring correctness of digital designs is one of the major tasks in the system design flow. Formal methods have been proposed to accompany commonly used simulation approaches. In this paper we describe a new technique of property checking using symbolic simulation which can be applied to larger designs. This technique seamlessly integrate formal verification and standard simulation. The propos...

ژورنال: گلجام 2021

Aesthetics is one of the important topics in the evaluation of works of art and can be examined from two aspects, objective and subjective. Rural and Tribal ruges in Iran are the result of the taste and mental creativity of weavers and designers who, despite being mentally woven, have a lot of harmony. The purpose of this study is to analyze the visual aesthetics of such carpets and due to thei...

Journal: :Journal of human evolution 2014
Alex Mackay Brian A Stewart Brian M Chase

The later Pleistocene archaeological record of southernmost Africa encompasses several Middle Stone Age industries and the transition to the Later Stone Age. Through this period various signs of complex human behaviour appear episodically, including elaborate lithic technologies, osseous technologies, ornaments, motifs and abstract designs. Here we explore the regional archaeological record usi...

ژورنال: گلجام 2007
چیت سازیان, امیرحسین,

Symbolism and love of beauty are two fundamental particulars of human kind having special effects on his works of art. Carpet, particularly in Iran, has been one of the grounds of manifestation of symbols and carpet patterns represent symbolic designs. This study is an effort to study this issue, especially in the Safavid and Ghajrid eras which are considered to be the flourishing age of Irania...

Nosrati Liālamāni, Sepideh, Yuzbāshi, Atieh ,

Iranian handicrafts have a brilliant, long history and Iran is considered one of the main centers of this field in the world. Kilim (a flat tapestry-woven carpet) is one of the branches of handicrafts and kilim weaving in Gilan, in comparison to other branches of the handicrafts in this region, is regarded as one of the most important fields with stunning patterns, colors and textures. The vari...

Journal: :هنرهای تجسمی 0
فرناز معصوم زاده جوزدانی دانشجوی دکتری پژوهش هنر، دانشکدۀ هنر و معماری، دانشگاه تربیت مدرس، تهران، ایران حسنعلی پورمند استادیار گروه پژوهش هنر، دانشکدۀ هنر و معماری، دانشگاه تربیت مدرس، تهران، ایران محمد خزایی استاد گروه ارتباط تصویری، دانشکدۀ هنر و معماری، دانشگاه تربیت مدرس، تهران، ایران

the visual form of writing has not only meaning apart from the content of writing but also different language from the language of writing. based on this claim, graphologists believe that it is possible to recognize writers’ thought through their handwriting. in fact, graphologists constituted some principles for analyzing handwriting as well as semiotic system for interpreting the visual diver...

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