this paper, nu1in!j aims al n1alaflg a wnparijon behveen ana!jtic n1etapl91irians' and a vianna'j views on miver. to this end, first! lht ,my'or vitlul arr brief!j 111n.9ed among ana!jti, ,mtapl{ysicians. then, .asicmna's vitll!i about dijftrtnl typu ofl(nivtr.tals art studied: ldnds, properhu, and rrlatio,11. hopefull it will clan, u1hm avianna stands in lht thmnt debate on...

irony is considered as a rhetorical device that is used more frequently than trope and metaphor. consequently, in spite of all their disagreements in defining irony varieties over centuries, rhetoricians have made significant efforts and have left some conspicuous works about it. al-kashāf al-zamakhshari commentary is the most well-known source of rhetorical interpretation that is referred to i...

this article studies sir walter scott’s use of the family-as-nation trope in ivanhoe and anne of geierstein. the importance of this trope in his figuration of nationhood is discerned by carrying out a close reading of the texts and placing them in their historical context, which primarily consists of a comparison with edmund burke and maria edgeworth. consequently, his position is revealed as b...

The research purpose is examining the poems in Turkish textbooks for 1st–8th grade terms of figurative language usage. data source used this qualitative study was gathered from which published 2015–2016. were collected through document analysis and analysed via content analysis. It revealed by that mostly simile least metonyms metaphors have been 1st–4th-grade poems. In included 5th–6th-grade c...

What account can we give of the nature of the individuality of concrete particulars that allows many properties to inhere in them? Campbell argues that concrete particulars are bundles of tropes, or of instances of qualities. It is argued that we should individuate tropes spatiotemporally, as Schaffer suggests we should, and that such a spatiotemporal individuation principle makes Campbell’s mo...

Abstract Twisting through a dissonant flattened 7th now more commonly recognized as the Jazz ‘blue’ 7th, ‘English’ cadence is distinctive feature of early modern English music. Typically embedded within texture piece in an inner part, this voice-leading pattern works by pulling against its own regularity: it highlights predictability, regularity cadence, spiralling, just briefly, into unpredict...