نتایج جستجو برای: a filmmaker
تعداد نتایج: 13431827 فیلتر نتایج به سال:
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action films, the filmmaker is confronted with creating the entire narrative space from scratch (Buchan, 2011; Buchan, 2006). How do animators manage this seemingly enormous task? This question certainly pred...
Three mothers dominate filmmaker Gaylene Preston’s new autobiography. One is Tui her mother, the person in family who coped (“she very strong me. I have to fight off constantly but she travels with me always.”); another mother’s mother Elsie had a personal relationship Jesus.”); then there herself as Chelsie (“my best ambassador.”), and towards end own suffering dementia.
the iranian new wave filmmakers pay attention and focus on the social changes in years before the islamic revolution in 1357 (1979).in these years due to the economical and social changes and the government’s attempt for modernizing the traditional social system and social uplifting has spread and this caused criticism by the iranian new wave filmmaker of that era. social approach and mobility ...
Storytelling is an activity of intelligent play generated by humans for the benefit of humans. Qualities of intelligent play reflect the intentions, processes and tools that are available to humans for the purpose of story construction. Personal media collections speak to intention. They als serve as a tool to help us better communicate who we are and who we would like to become. Augmented by c...
Smith 2 "The art of plastic composition consists in leading the spectator's attention through the exact path and with the exact sequence prescribed by the author of the composition. This applies to the eye's movement over the surface of a canvas if the composition is expressed in painting, or over the surface of the screen if we are dealing with a film-frame." One of the key intentions of cogni...
Victoria Ocampo meets Sergei Eisenstein in New York, 1930. He is on his way to Hollywood where he plans make a film and she there meet Waldo Frank discuss the project of journal Sur. invites filmmaker come Argentina about pampas. The aim this article reconstruct relationship between writer order support hypothesis that we might identify some traces engages with when trip fails: ¡Que viva México!.
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