tech-noir cinema emerged as the combination of noir film and science-fiction genre in 1980s. noir film, which was one of the main currents of american cinema in 1940s, was influenced by detective fiction of american literature and expressionist cinema of germany in plot and form respectively. in 1970s and 1980s, because of artistic and social currents, there was a ground to return to noir; so n...

The project The Forking Paths aims to create a set of interactive cinematographic narratives, within an applied research that seeks to transfer the spectator from an extradiegetic level to an intradiegetic level, creating a metalepsis. The intention is, above all, to analyze the possibilities of the spectator’s identification as the main character, by the manipulation of the idea of time in Cin...

Questions of image were intensely important to H.D. Whether through the precise Imagism her early poetry or later work in cinema, H.D.’s career involved a lifelong engagement with image-maki...

abstract film theoreticians, in the early stages of practice, emphasized the corporeal characteristics of the medium and the relationship between cinema and the spectator’s senses. besides, in the opposite direction to the early cinema concentration on audience bodily identification with the film, the evolution of cinematic language and the subsequent prevailing of a dominant narrative system, ...

Let’s remember the idea of the film spectator. The projective systems of artistic creation have always tried a “place” for its spectator. In the cinema furthermore, the exhibit’s own structure proposes the spectator as an indispensable element of the cinematographic act, developing a hegemonic model, in which it occupies a central and essential position. As Müsterberg stated, the cinema works i...

abstract cinema as a social environment provide a basis and special situation in which people can gather together, experience a different relationship and can find a new thinking or behaving approach via watching the movies. by going to cinema people in addition to utilize their leisure time effectively, they gradually shape their attitudes and behaviors based on what they have seen and heard. ...

Abstract In Cinema 1, Deleuze proposes the “color-image,” a type of film image with an “absorbent characteristic” that does not refer to particular object but seizes all happens within its range. Like color-images, racial categories have absorbent, seizing quality: they assert “color” at expense representation. address potential applications his concept race, are especially illuminating when ap...

in cinema, the relationship between art and society is questioned more than other kinds of art. among all diverse approaches studying cinema, the reflection approach- believing cinema is impressed by the society. this approach is a theoretical framework of this research. the main question is how cinema reflected political demands of iranian society from 1995 to 2006. this period is noticeable c...