This paper presents an introduction to interactive multimedia performance, discusses its various components and focuses on preservation issues. As interactive multimedia performance is becoming popular in the performing arts communities, like other types of performance, there is the need to preserve related information and components of a performance for future study, analysis and recreation. O...

Diğer bir bakış açısıyla, silikanın solunması önlenirse (yani tozun kapalı sistem içinde kontrolü, çalışanın solunum havasının temizlenmesi/temiz hava soluma mekanizmasının kurulması gibi önlemlerle çalışan korunursa) herhangi bir sağlık sorunu ortaya çıkmayacaktır. Yani silikozis, diğer meslek hastalıklarında olduğu gibi önlenebilir bir hastalıktır. Solunan tozun konsantrasyonu, silika içeriği...

Virtual and augmented reality have been used in the performing arts with two main purposes in mind: the design of artificial sceneries and the augmentation of the actor's performance. We are mostly interested in the second application that offers new perspectives for the interaction between actors and digital media. This article describes the design of a new interface for t...

Auralizations are very useful in the design of performing arts spaces, where auralization is the process of rendering audible the sound field in a space, in such a way as to simulate the binaural listening experience at a given position in the modeled space. One of the fundamental modeling inputs to create auralizations is the source directivity. Standard methods involve inputting the measured ...

Responsive polyelectrolyte multilayers Karine Glinel a,∗, Christophe Déjugnat b,1, Michelle Prevot b, Björn Schöler a, Monika Schönhoff c, Regine v. Klitzing d a Laboratoire Polymères, Biopolymères, Membranes, UMR 6522 CNRS, Université de Rouen, F-76821 Mont-Saint-Aignan, France b Max Planck Institute of Colloids and Interfaces, Am Mühlenberg, D-14424 Potsdam, Germany c Institute of Physical Ch...

In interaction design for experience-oriented uses of technology, a central facet of aesthetics of interaction is rooted in the user’s experience of herself “performing her perception.” By drawing on performance (theater) theory, phenomenology and sociology and with references to recent HCI-work on the relation between the system and the performer/user and the spectator’s relation to this dynam...