We analyze computer-generated poems written with a mesostomatic algorithm. We show that computer-generated poetry is meaningful in the same way as human-generated poetry and that this poetic meaning must renounce one-to-one correspondence to reality, objective or subjective. We further show that the ability of a computer poet to produce meaning is stable with respect to a change in language. On...

Identical rhymes (right/write, attire/retire) are considered satisfactory and even artistic in French poetry but are considered unsatisfactory in English. This has been a consistent generalization over the course of centuries, a surprising fact given that other aspects of poetic form in French were happily applied in English. This paper puts forward the hypothesis that this difference is not me...

Theorists often associate certain “poetic” qualities with metaphor – most especially, producing an open-ended, holistic perspective which is evocative, imagistic and affectively-laden. I argue that, on the one hand, non-cognitivists are wrong to claim that metaphors only produce such perspectives: like ordinary literal speech, they also serve to undertake claims and other speech acts with propo...

1 Introduction Primary verbal composite modelling, as manifested in cognitive poetry, raises serious theoretical questions over the nature and function of the linguistic sign (Stockwell 2002). If language as a conventional symbolic system qualifies as the Peircian Thirdness, it cannot possibly be at the same time a Firstness. Rather than getting once again into the infinitely boring debate on t...

There is a paucity of studies on rhythm in world music in general and with regard to Arabic and Oriental cultures in particular. Musicological studies predominantly focus on acoustical scales, modes, timbre, harmony, etc., unfortunately neglecting a fundamental aspect of music, that is, rhythm and its complex relationship to melody, the accentuation of words in a given language, the intonation ...

Metonymy, as often treated as a subtype of metaphor by cognitive linguistics, has a different working mechanism; metaphor is based on perceived similarity between things while metonymy on the relationship within things themselves. Cognition and the use of language involve the access and manipulation of mental spaces, which are constructed from human perceptual experience and are extended throug...

The paradigm of Aristotelian science continues to cause tension between scientific and literary language. Aristotle’s scientific legacy, the dominance of a strictly logical method, disbars and degrades any methodology which it deems not as rigorous. Accordingly, the scientific tradition enthrones the use of unambiguous language because it assumes that Aristotle’s systematic methodology rejects ...

â  â  technical structure of complaint poetry until 3 a.h â  â  â  * gholam abbas rezai â  * * sherafat karimi â  â  abstract â  complaint refers to the poetic works in which the poet talks about the vehemence of his/her painful feeling. it is the description of pains, personal and social problems and in a way is confiding whatever has annoyed his/her soul and body. complaint can be categorized...