Throughout history, an authority with certain rules has governed all societies, and each had different impacts on society. Since theatre is a reflection of society culture, it carries the traces development changes political ideological concepts over time. With emergence playwrights such as Edward Bond, Caryl Churchill, Martin Crimp in British after 1970, new era begun theatre. The purpose this...

Recently, the call to combine land change science (LCS) and political ecology (PE) in the study of human-environment interactions has been widely discussed by scientists from both subfields of geography. In this paper, we use a hybrid ecology framework to examine the effects of conservation policies on the environment and the livelihood of the people of the Korup National Park (KNP). Using tech...

emphasizing on the structural aspects of theatre of the absurd as a modern form of drama development, the present paper studies some of the principles of this dramatic school in bahman farsi's plays of 1340s. one of these principles is farsi's new understanding of dramatic action which is the most important element in conveying the author's intended concepts. affected by theatre ...

Characteristics of feminist theatre As we have seen in previous chapters, at its inception Nightwood participated in a widespread English-language women's theatre movement that had already been well established in the United States and Britain. As Phyllis Mael points out in an article about American feminist theatre published in Chrysalis magazine in April 1980, over two hundred plays by women ...

The body-archive category in Polish Theatre and Performance Studies is articulated as an emancipatory tool with the potential to reclaim history of marginalised, oppressed, silenced groups not represented archive, but I claim, it still subsumes body under power identity meaning gains through history. Looking at one most important 'dead bodies' archive contemporary theatre – Sarah Kane's way was...

There can hardly be a more commonplace way to start talking about playing on stage than stating the social and political character that theatre has had since its inception. Even when it is not self-defined as ‘political’, aesthetic educational value of considered self-evident while engagement with issues day very common. Refugeehood could escape representation, this what I consider in following...

Based on the Medea-myth, Zecora Ura Theatre’s and Para Active’s Brazilian-British co-production Hotel Medea (2010–2012) is an overnight promenade performance which actively involves the audience. It turns them into, alternatively, party guests, Medea’s children, her closest friends, soldiers, and the focus group of Jason’s political campaign. Medea herself, the archetypal refugee, represents th...