Abstract In L’Immanence des vérités, Alain Badiou rewrites the Platonic allegory of cave. As book’s structure reveals, Badiou’s central claim is that truths are absolute, for they constituted by dialectic between finitude and infinity, consequence which lies in creation œuvre. Although love often affected individual difference, family, money, social norms, philosophy calls a rupture with these ...

In this article, I argue that in recent years not only have we witnessed the increasing cultural visibility of ageing women across Anglo-American landscape, but new represents emergence a ideal female subjecthood. Focusing on Netflix’s hit series Grace and Frankie, demonstrate how older are incessantly exhorted to become entrepreneurial, make self-investments, be happy. Challenging what scholar...

What idea of «Saaminess» is presented and produced by the current Saami non-Saami national curricula Norwegian primary school? Our discourse analysis focussing on interpellation pupils shows that two express different attitudes towards Saaminess, indeed to education. are interpellated primarily into recognizing strengthening their identity, less be critically inclined independent-minded. In con...

A review of the academic discourses on gender and music on the one hand, and on electronic music composition on the other, might elicit the impression that the two fields carry mutually repellent charges.1 Despite the diversity of backgrounds and compositional interests among women electronic composers, their relative obscurity has made theorizing gender difference as a factor in electronic exp...

This article aims to carry out an analysis of the spectatorial position as a thinking space for contemporary essay film based on comparative study two Francophone films: Face aux fantômes (Jean-Louis Comolli and Sylvie Lindeperg, 2009) Jaurès (Vincent Dieutre, 2012). The dialogism film, interpellation spectator produce self-reflection their critical about images shown, is then generated from pr...