We are preparing to upgrade the Tevatron Collider from 6 to 36 bunch operation. The 36 bunches are in 3 “trains” of 12 bunches. The spacing between bunches within a train is 21 RF buckets (53.106 MHz) and 139 empty buckets separate the trains. Because the 36 bunches are not evenly spaced around the machine, the different bunches within a train pass the opposing bunches at different points in th...

The study of patients with semantic dementia has revealed important insights into the cognitive and neural architecture of semantic memory. Patients with semantic dementia are known to have difficulty understanding the meanings of environmental sounds from an early stage but little is known about their knowledge for famous tunes, which might be preserved in some cases. Patients with semantic de...

The majority of the research work on fuzzy PID controllers focuses on the conventional two-input PI or PD type controller proposed by Mamdani (1974). However, fuzzy PID controller design is still a complex task due to the involvement of a large number of parameters in defining the fuzzy rule base. This paper investigates different fuzzy PID controller structures, including the Mamdani-type cont...

The alternating direction method of multipliers (ADMM) is commonly used for distributed model fitting problems, but its performance and reliability depend strongly on userdefined penalty parameters. We study distributed ADMM methods that boost performance by using different fine-tuned algorithm parameters on each worker node. We present a O(1/k) convergence rate for adaptive ADMM methods with n...

Dominant theories of implicit learning assume that implicit learning merely involves the learning of chunks of adjacent elements in a sequence. In the experiments presented here, participants implicitly learned a nonlocal rule, thus suggesting that implicit learning can go beyond the learning of chunks. Participants were exposed to a set of musical tunes that were all generated using a diatonic...

An approach is presented which provides the tune change locations within a set of Irish Traditional tunes. Also provided are semantic labels for each part of each tune within the set. A set in Irish Traditional music is a number of individual tunes played segue. Each of the tunes in the set are made up of structural segments called parts. Musical variation is a prominent characteristic of this ...