New media artists have the capability of driving forward innovation on major issues day. ‘Exceedingly complex’ systems (eg. brain) provide examples how inevitable pitfalls and breakthroughs that occur in processes discovery are direct concern to new as well scientists, engineers, sociologists technologists may be involved. This paper reveals that, this digital ...

Considering invisibility of the New Tendencies in the dominant narrative on European modernism, ongoing process of consolidation of the new media art might be a platform from which to introduce the New Tendencies into the context of new media art history. However explanations given in the recent interpretations of that international art Movement clearly demonstrate that along the lines of that ...

This paper proposes a new approach to conceptualizing digital and media art forms. This theoretical approach will be explored through issues raised in the process of creating a formal declarative model (alternately known as a metadata framework, notation system, or ontology) for digital and media art. The approach presented and explored here is intended to inform a better understanding of media...

Device Art is a concept for re-examining art-sciencetechnology relationships both from a contemporary and historical perspective in order to foreground a new aspect of media art. The term "Device Art" may sound obscure, or even self-contradictory, but it is a conscious choice. The concept is a logical extension of a change in the notion of art that already started in the early 20th century with...

Since the middle of the 1960s, a new movement toward the collaboration between art and technology has been growing all over the world almost at the same time, partly influenced by the critical writing of C.P. Snow’s “The Two Cultures” and Georgy Kepes’s insightful essays in “The New Landscape”, and partly by the appearance of new media technology expedited by the theory of Marshal MacLuhan. Fro...

This demonstration challenges the conventional art experience. It brings together the fields of art, science, and software integration. The goal was to create a new kind of painting based on embedded technology, experimenting with a new media: paintings augmented with RFIDs. The aim was to achieve interaction between the artist's paintings and art gallery visitors.

In this paper, a new synesthetic documentation method that contributes to media art conservation is presented. This new method is called “e-Installation” in analogy to the idea of the “e-Book” as the electronic version of a real book. An e-Installation is a virtualized media artwork that reproduces all synesthesia, interaction, and meaning levels of the artwork. Advanced 3D modeling and telepre...