This chapter proposes a new approach to style, arising from our work on computational media using structural blending, which enriches the conceptual blending of cognitive linguistics with structure building operations in order to encompass syntax and narrative as well as metaphor. We have implemented both conceptual and structural blending, and conducted initial experiments with poetry, includi...

Poetry is rarely a focus of linguistic investigation. This is far from surprising, as poetic language, especially in modern and contemporary literature, seems to defy the general rules of syntax and semantics. This paper assumes, however, that linguistic theories should ideally be able to account for creative uses of language, down to their most difficult incarnations. It proposes that at the s...

Micro world of belonging to a certain region is a starting point towards the wider, macro world. Poetry, as a universal phenomenon, enables the opening of all borders in the most noble, most intimate way. Istrian dialectal poetry and chakavian poets have insured the survival of different language idioms of the Istrian peninsula which would have disappeared if transmitted only through oral forms...

The current study used event-related brain potentials (ERPs) and behavioral measures to examine effects of genre awareness on sentence processing and evaluation. We hypothesized that genre awareness modulates effects of genre-typical manipulations. We manipulated instructions between participants, either specifying a genre (poetry) or not (neutral). Sentences contained genre-typical variations ...

The present study retested previously reported empirical evidence suggesting an iconic relation between sound and emotional meaning in poetry. To this end, we analyzed the frequency of certain phoneme classes in 48 German poems and correlated them with ratings for emotional classification. Our analyses provide evidence for a link between the emotional classification of poems (joyful vs. sad) an...