Notwithstanding the differences displayed by drama criticism for what concerns the theoretical stance and the aims, the key role played by emotions seems to be a common aspect to most definitions of drama. Although the field of computational drama has acknowledged this trend, we argue that the role of emotions in character design deserves more attention, as it is the key to establish a distinct...

This study is the result of an attempt to investigate the differences between the Persian translated drama text (page) of each English drama text with its performance on the stage (stage) in Iran. In other words, the present researchers tried to find the implemented changes in page which make it real on the stage in the target language and culture in order to show that in drama translating and ...

BACKGROUND The substance abuse prevention goal of the theatre production "TUNNELS" was to provide community education on substance abuse to an audience in Durham, NC and surrounding communities. The education effort intended to increase awareness and understanding of the risk and protective factors associated with alcohol and other drug use, and to promote pro-active behaviors in substance abus...

Narrative intelligence is fundamental for organizing experiences, understanding our surroundings, and forming predictions about the future [Schank, 1995]. Computational systems that leverage narrative intelligence benefit applications that involve stories including entertainment, education, skill training, and legal decision-making. AI planning research is a popular source of data structures an...

In literary and drama criticism, emotions, and moral emotions in particular, have been pointed out as one of characterizing features of stories. In this paper, we propose to model story characters as value-based emotional agents, who appraise their own and others’ actions based on their desires and values, and feel the appropriate moral emotions in response to narrative situations that challeng...

This paper illustrates the powerful role that drama can play in facilitating spiritual development. The opportunities offered through the experience of improvisation are examined through a detailed examination of a single drama session. The children’s engagement in and reflection upon the drama are seen as sensitive vehicles to build a sense of community, increase self knowledge, develop empath...

This paper illustrates the powerful role that drama can play in facilitating spiritual development. The opportunities offered through the experience of improvisation are examined through a detailed examination of a single drama session. The children’s engagement in and reflection upon the drama are seen as sensitive vehicles to build a sense of community, increase self knowledge, develop empath...

This paper illustrates the powerful role that drama can play in facilitating spiritual development. The opportunities offered through the experience of improvisation are examined through a detailed examination of a single drama session. The children’s engagement in and reflection upon the drama are seen as sensitive vehicles to build a sense of community, increase self knowledge, develop empath...

In this paper we define Performatology as a data driven, machine learning, and performance theory based approach to interactive drama through the procedural acting of Performative Embodied Agents (PEAs). PEAs are designed to serve as acting tools for live embodied performers to extend their craft into computational media, and to make agents better actors for the enhancement of cinematic games. ...

How do we read stories? How do they engage our minds and create meaning? Are they a mental construct, a linguistic one, or a cultural one? What is the difference between real stories and fictional ones? This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, desc...