There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radi...

Models of cinema demand have tended to employ aggregate data and focus on price and income as key variables. Surprisingly, the effects of travel time and location have not been formally investigated. The authors do so, following developments in the environmental economics literature, by presenting estimates of individual travel cost models for multiplex and nonmultiplex cinemas. A key finding i...

This study examines ‘Indian cinema and Muslim image’ from 2002 to 2008. From the very beginning and particularly since 9/11 incident, the Indian film industry very often portrays the Muslim with stereotype image (which is negative). After the 9/11 incident, Muslims are being looked as suspicious people and portrayed as terrorists. Indian film industry adds fuel to the fire by making a lot of mo...

In the last 100 years we have observed a great development of the technology. This development applied to the mass media as the radio, the cinema, the television, or Internet have influence in the human communication and the interaction of the society with the technologies. The new communicative environments need new actors (avatars) with high communicate face expression. The modeling and the a...

Observational cinema is one of the most controversial forms of visual anthropology. After its inception in the 1970s, it was initially praised as a breakthrough in ethnographic filmmaking. However, since then it has suffered years of neglect and heavy criticism, mostly directed at its naïvité, alleged scientism and illusion of objectivity. The time has finally come for a revision of those claim...

To identify the factors that disrupt and maintain habit performance, two field experiments tested the conditions under which people eat out of habit, leading them to resist motivational influences. Habitual popcorn eaters at a cinema were minimally influenced by their hunger or how much they liked the food, and they ate equal amounts of stale and fresh popcorn. Yet, mechanisms of automaticity i...

Dalhousie Journal of Interdisciplinary Management Abstract: This paper examines the increased censorship of film during the inaugural decades of the Soviet Union. Through an overview of the different genres and trends of Soviet cinema during this time, I draw parallels to the political climate and the role of film as an information medium. Censorship remains a persistent, if evolving, feature o...

Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

This paper is a proposal for PhD level research into brain controlled film. I place brain computer interfaces (BCI) in a historic and then an artistic context before exploring instances of research where film and BCI overlap. I then define what has not been covered by research and propose a way to contribute to that gap in knowledge. I explain my interest in the subject, and the methodologies I...