When viewing a painting, artists perceive more information from the painting on the basis of their experience and knowledge than art novices do. This difference can be reflected in eye scan paths during viewing of paintings. Distributions of scan paths of artists are different from those of novices even when the paintings contain no figurative object (i.e. abstract paintings). There are two pos...

There is, it could be argued, an enormous symbolic capital invested in the belief that it is artistic practice that informs the pedagogy of artists who teach. Despite the apparent tendency for artists to reproduce stylistic character in their students and apprentices, this paper argues that the instructional relations between student and artist teacher are driven by art educational convention r...

Previous research suggests that participation in the arts and/or disability can positively influence individuals’ affirmation, or a positive embracement, of identity; however, until more recently, persons with intellectual disabilities have not been included this to same extent as their peers physical sensory disabilities. This article contributes increasing empirical consideration identity amo...

Tracks of small animals are important in environmental surveillance, where pattern recognition algorithms allow species identification of the individuals creating tracks. These individuals can also be seen as artists, presented in their natural environments with a canvas upon which they can make prints. We present tracks of small mammals and reptiles which have been collected for identification...

There is a wide variety of work being done by artists working both in conventional genres such as Music, Dance and Theatre as well as newly emergent hybrid and innovative forms such as real-time animation and physically distributed and telematic performance. I want to build up a picture both of what technical resources artists are employing – and to what effect technology is being used; what th...

This study focuses on the evaluation of artistic disciplines (visual and performing arts) within performance-based university research funding systems. It offers an analysis Polish academic system investigates its effects scholarly productivity artists-academics. Poland has adopted a that includes productions (without considering them as ‘research’) developed comprehensive quantification achiev...

Copy Summary: Repetitions that are distributed over time benefit long‐term retention more than when massed. Recent research has suggested that the advantage of spacing may extend to induction learning–learners were better able to identify the artists of previously unseen paintings when, during training, artists’ paintings were spaced (paintings by different artists were interleaved) rather than...

Geoffrey Miller has hypothesized that producing artwork functions as a mating display. Here we investigate the relationship between mating success and artistic success in a sample of 236 visual artists. Initially, we derived a measure of artistic success that covered a broad range of artistic behaviors and beliefs. As predicted by Miller's evolutionary theory, more successful male artists had m...

In this paper, we present a spatial model of the public provision of the performing arts. Agents behave boundedly rational. Art directors set performance quality according to their aspiration levels. While taking into account the spatial distribution of the population, administrative directors in calculating ticket prices ignore that they compete with neighboring performing arts organization (P...