A psychoacoustic experiment has been conducted to determine the difference limen (DL) of the level of music reproduced in a listening room. The effects of three factors on the DL were measured using up to twelve trained subjects. The factors were music motif (Mozart, Elgar, Smashing Pumpkins), listening level (50, 60, 65, 70, 80 dB, A-weighted Leq) and dynamic range. It was hypothesised that th...

One of the inherent characteristics of transportation systems, especially steel wheel and rail systems, is that vehicles running on the roadway or trackway generate vibration which transmits through the ground into nearby buildings. As our urban areas build up or are redeveloped, it is frequently desired for a variety of reasons to place a concert hall or theater in a location which is in close...

Psychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are related to a limited number of perceptual attributes of human response. In general, these objective pa...

Sabine and Eyring equations are commonly used to estimate the reverberation time (RT) in concert halls. Derivations of the two equations are based on well-defined and different physical assumptions, and they are both slightly different from the realistic condition in actual halls. In many researches so far, comparatively simple room shapes have been utilized to study the question on which equat...