In Faraday and Plateau's days, both apparent motion and the fusion of intermittent lights, two phenomena that are hardly connected, were explained by retinal persistence. The works of Exner and of the 'Gestalt' psychologists, as well as the modern works on 'sampled' motion and smooth motion, disregarded retinal persistence. One tried, originally, to measure this persistence using intermittent s...

abstractin this article, iranian society in the 80s is analyzed in terms of its prevailing insights using the theory of reflection in the sociology of cinema. this theory, which considers art as a mirror for society, permits researcher to study the predominant perceptions of the period under investigation. this is done through assessment of the image of hero shown in its cinema. moreover, the g...

Audiovisual translation, the same as other forms of intercultural communication, tends to intervene with the original in order to comply with the norms of the receiving culture. Since the Islamic Revolution of 1979, the Iranian cinema has resorted to a conservative approach wherein the portrayal of the role of women, among other cultural issues, has been controlled to adapt to the Islamic thoug...

This thesis develops techniques and methods that extend the art and craft of storytelling, and in particular enable the creation of mobile cinema. Stories are always constrained by the medium in which they are told and the mode by which they are delivered to an audience. This dissertation addresses the design of content, systems, and tools that facilitate the emerging type of computational audi...

3D television (TV) and cinema have experienced a recent surge in popularity aided in part by the success of films such as "Toy Story 3" and "Avatar". In parallel with this trend there have been increasing concerns about the safety of 3D TV and cinema for patients with photosensitive epilepsy. General practitioners, paediatricians and neurologists are being consulted about their opinions on the ...

This article examines cinematic remembrances of the Atlantic slave trade through the lens of Paul Robeson-starring British film The Song of Freedom (1936). An exceptional visualization of the horrors of the Middle Passage in transatlantic interwar cinema, the production nevertheless recapitulates an abolitionist visual paradigm characterized by lacunae and distortion. Yet, it also serves as an ...

The digital cinema is very challenging because it represents tomorrow way of capturing, post-producing and projecting movies. Specifications on this media are provided by DCI (Digital Cinema Initiatives) founded by the Hollywood Majors. Among the specifications we can find issues about resolution, bitrate, JPEG2000 compression Moreover, the market assumes that 3D could raise the turnover of cin...

One of the key issues for a successful roll out of digital cinema is in the quality it offers. The most practical and least expensive way of measuring quality of multimedia content is through the use of objective metrics. In addition to the widely used objective quality metric peak signal-to-noise ratio (PSNR), recently other metrics such as single scale structural similarity (SS-SSIM) and mult...

In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocatively bemoaned the lack of a vibrant film culture in Scotland. Putting Iran's cinematic achievements forward as a – perhaps surprising – example, Cousins identifies several reasons for Scotland's underdevelopment, most of which revolve around a lack of experimentation and a general absence of interest in exploring...

As both programmers of lesbian/gay/bisexual/transgender (LGBT) film festivals and a certain percentage of their attendees will acknowledge, the lesbian feature film is the most persistently elusive of programming elements. Of course curators have other urgent desiderata: formally challenging work, work by people of colour and from underrepresented nations, transgender films. But the lesbian fea...