In Junot Díaz’s short story collections, Drown (1996) and This Is How You Lose Her (2012), sound plays a crucial role in the representation of experiences Dominican migrants United States who populate their pages. The collections show liminal situations which stories’ characters face, emphasizing shifting acoustic environments pressure to shape one’s own sonic identity meet demands new language...

Abstract The housing crisis represents a liminal experience: loss of the taken-for-granted and suspension ontological security has put individuals in situation potentiality which both conceptions home personal identity are open to transformation. Empirically assessing this transition allows us understand refiguration processes subjectivities. This conceptual political implications: with ongoing...

In this article we, both playwright and performer, look at the play Fish Bottom of Sea its unique exploratory process. We articulate an exchange between circus, sound, theatre, examine larger understanding evoked by experiential point view rather than one attached to identity any particular discipline. The alternates our two voices includes videos excerpts from capture inter- transdisciplinary ...

Using in-depth interviews with six participants, this qualitative project examines LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) experiences in conservative Christian communities British Columbia Alberta, Canada, through the lens of theory. The research questions guiding are: (1) Does there continue to be a code silence surrounding identities within communities? (2) How do indi...

In the dramaturgical work of A. Slapovsky, realistic and unrealistic artistry is synthesized, revealed in a wide representational field various stadium states situations. At same time, balance between different semantic emotional components studied poetics clearly visible. Heterogeneity motivation plot, “simultaneity” characters, recursiveness chronotope are signs liminal narratology Slapovsky....