Abstract Michael Haneke’s Time of the Wolf ( Le temps du loup , 2003) depicts a grim vision world in aftermath an unnamed catastrophe. Haneke turns genre dystopia into experimental terrain where he can test limits cinematic medium sense “negating cinema order to let reality speak for itself” (Nagib 2016, 147). An existential parable, envisions sombre post-millenium age. It is sharp analysis wha...