Narrative voices in Ismet Prcić’s memoir/novel “Shards” are many; this article primarily focuses on what we refer to as the voice of “silenced narrator” that appears speak from a deep (“s ubdiegetic”) narrative level shaped by unconscious workings traumatic experience. Starting psychological insights into states (Elbert and Schauer, Hunt, Crossley, etc.) tracing encoded symptoms illness across ...

Self-differentiation refers to the differentiation of past “I” and present “I”, which exists in all self-narratives. In “Araby”, third story Dubliners, adult narrator tells his adolescent love for neighbour’s sister. The either language or “I”. Therefore, alternate, causing difference consciousness narrator. With both unity division, tension two narrative voices is caused, on one hand enriches ...

Self-narratives—stories that make a point about the narrator—help people revise and reconstruct identities during work role transitions. We propose a process model in which people draw on narrative repertoires to engage in narrative identity work in role-related interactions. Using feedback from their interactions, they revise both the stories and repertoires. Successful completion of the trans...

The automatic identification of direct and indirect discourses is a topic not yet explored in Natural Language Processing. We developed the DID system that when applied to children stories identifies the discourses, relative to the narrator (indirect discourse) or to the characters taking part in the story (direct discourse). This automation can be advantageous, namely when it is necessary to t...

nowadays novel has a dominant role in literature owing to its special capability to demonstrate the social dilemmas and stories. the main factor which makes a novel attractive is proportionality and symmetry of dialogue with characters and the story. in the case of narratology of a story, an alerted analyzer illustrates premier features of the story with employing narrative mechanisms and story...