the sepah-salar complex, including the mosque and the school, has a set of qajar era architectural art including tile-work, painting, inscription, stucco, woodwork and carpentry. the complex was made and endowed by hossein khan, known as sepah-salar (1241-1298 a.h/ 1825- 1882 a.d). he employed the best and the most famous artists and architectures of his era using his own asset. the inscription...

In exploring the evolution of Iranian architecture from prototypes to the present day, Qajar architecture is an important part of Iranian architecture history. The importance of this era's architecture is because large changes in conceptual and physical context occurred slowly in Iranian architecture during this time. These changes, especially from the Nasserian period (the second Qajar era), h...

khānsār was one of the principal cities of isfahan district in qajar era. the city is mentioned repeatedly in historical texts and visited frequently by european travelers khānsār was celebrated in qajar era for presence of significant cultural and artistic figures in the city as well as production of various commercial products. the remnants of commercial monuments such as qajar bazar or kārva...

Abstract This article introduces Julius Heise’s Marche Triomphale which reveals a history that was eliminated during the nineteenth century race theory publications. Beginning with an account of Iranians’ encounters European military music, this provides brief Iranian bands in style, or muzikānchiān . It then addresses racial motivations behind short on music 1885 by Victor Advielle, French adm...