Samuel Beckett’s play of 1949 is a landmark of modern theatre. Two tramps, Vladimir and Estragon, await the arrival of the mysterious Godot. He does not come, although other sinister characters pass through. The tramps pass their time in meaningless activities and talk. Described by Beckett as a ‘tragicomedy in two acts’, the play is conventionally regarded as a tale of existentialist angst foc...