نتایج جستجو برای: Leili and Majnun
تعداد نتایج: 16827185 فیلتر نتایج به سال:
lover’s person's life, often the source of the narrators and transmitters. for this reason, love stories in literature people of different have occupied a large space. the stories have many similarities in structure. layla and majnun story is the most famous and most ancient arabic tales has a major influence in the development of persian literature. iranian literary love stories and the s...
persian painting used to be dependent on persian literature for decades. among persian poets nizami is one of the most famous storytellers of 7th (13th a.d) century. containing elaborations and outstanding pictorial power, his valuable works and especially the masterpiece of “leili & majnun” is imitated by poets in various schools and is painted times and times by different miniaturists in diff...
among the most common type of literary, aesthetic and lyric literature by having the elements and themesimagery provides a good platform to analyze the structure of the word external and internal relationships because relationships based on the form and structure of speech is considered so by what is in the form of content main purpose of the speaker is the approach to the structure of the styl...
Poetry translation involves cognition, discourse, and action by and between human s and textual a c- tors in physical and social settings. The aim of this study was to find out to what extent the non - native translator of Nizami Ganjavi’s “Leili and Majnun” could preserve the poetic imagery in its English translation. To this end, an innovative taxonomic model, which could investiga...
Bid Majnun( weeping willow) design is in the invaluable position because of being one of the most famous patterns among Persian rugs as well as their local varieties. Although it seems that there is not a particular region for the creation of this design , old samples have been observed in the north-west areas of Iran especially in Bidjar(Bijar). Such evidence may imply that Bidjar has been the...
The pictorial rug of "Layla’s camel" belongs to the Qajar era, in which the central image is occupied by the large body of an "intra-hybrid" camel; the outer shape is realistic and the inside is composed of a large number of small human and animal motifs. Creating patterns of some creatures in this way became popular in Iranian painting from the Timurid period, which reached its peak and popul...
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