From the mid-1950s onwards, number of television viewers in West Germany increased rapidly and became “window to world” for many people. Through audio-visual reporting people were informed so that they could feel save as know what had happened world, especially times Cold War. The Suez Crisis 1956/1957 was one War conflicts able report on continuously thus demonstrate its advantages. has be con...

Psychoanalysis and the cinema were born at the end of the nineteenth century. They share a common historical, social, and cultural background shaped by the forces of modernity. Theorists commonly explore how psychoanalysis, with its emphasis on the importance of desire in the life of the individual, has influenced the cinema. But the reverse is also true-the cinema may well have influenced psyc...

There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radi...

Paradoxically enough, the impression left on the reader by Georges Sadoul's admirable book on the origins of the cinema is of a reversal, in spite of the author's Marxist views, of the relations between an economic and technical evolution and the imagination of those carrying on the search. The way things happened seems to call for a reversal of the historical order of causality, which goes fro...

This study examines ‘Indian cinema and Muslim image’ from 2002 to 2008. From the very beginning and particularly since 9/11 incident, the Indian film industry very often portrays the Muslim with stereotype image (which is negative). After the 9/11 incident, Muslims are being looked as suspicious people and portrayed as terrorists. Indian film industry adds fuel to the fire by making a lot of mo...

Late Stalinism, which extended from 1945 to 1953, censored and coerced cinema with an efficiency unknown in the USSR, directing it cultural confrontation American archrival nascent Cold War. While regime demanded political films that showed problems crimes committed by enemy fostered internal unity, filmmakers sought circumvent guidelines insert criticisms subtly, or subject addressed, centered...

abstractin this article, iranian society in the 80s is analyzed in terms of its prevailing insights using the theory of reflection in the sociology of cinema. this theory, which considers art as a mirror for society, permits researcher to study the predominant perceptions of the period under investigation. this is done through assessment of the image of hero shown in its cinema. moreover, the g...

Dalhousie Journal of Interdisciplinary Management Abstract: This paper examines the increased censorship of film during the inaugural decades of the Soviet Union. Through an overview of the different genres and trends of Soviet cinema during this time, I draw parallels to the political climate and the role of film as an information medium. Censorship remains a persistent, if evolving, feature o...

Observational cinema is one of the most controversial forms of visual anthropology. After its inception in the 1970s, it was initially praised as a breakthrough in ethnographic filmmaking. However, since then it has suffered years of neglect and heavy criticism, mostly directed at its naïvité, alleged scientism and illusion of objectivity. The time has finally come for a revision of those claim...

To identify the factors that disrupt and maintain habit performance, two field experiments tested the conditions under which people eat out of habit, leading them to resist motivational influences. Habitual popcorn eaters at a cinema were minimally influenced by their hunger or how much they liked the food, and they ate equal amounts of stale and fresh popcorn. Yet, mechanisms of automaticity i...