John Fords films show how the cultural context of Pacific War and image war in combat 19411945 change. By time USA entered World II, Hollywood Washington had a long if not estranged relationship. They were both well versed use propaganda readily employed it on citizens United States. J. are good example this cooperation. This paper is about reflection war, key moments glorification II history c...

The article is devoted to the representations of Great Patriotic War in Soviet and postSoviet cinematography. study presents comparative analysis heroic narrative dating back wartime propaganda most clearly manifested post-war film epics, as well tragic narrative, which inextricably linked with ‘lieutenant’ prose Thaw-era. changes images cinema Russian war films 2000s are considered. It proved ...

e vast majority of literature devoted to independent cinema focuses on American fi lm production. When I was looking for books on independent cinema in my university library, out of about twenty fi ve, I identifi ed twenty or so devoted exclusively to American cinema. For the majority of scholars and students, using the term “independent” means independent from Hollywood, not only in terms of f...

This paper investigates whether Google Trends search information can improve forecasts of cinema admissions, over and above those based on seasonal patterns in the data. Using monthly data for the UK for the period 2004(1) to 2008(12) we examine various forecasting models that incorporate Google Trends search information. We find clear evidence that Google Trends data on searches relevant to ci...

Cinema therapy is a creative therapy technique in which a trained psychotherapist uses the films as a therapy tool. According to the film therapist Gary Solomon, cinema therapy is usage of films which have positive effects on people except psychotic disorders. In cinema therapy movies are used by psychiatrists, psychologists, clinical social workers, psychiatric nurses, art therapists, academic...

In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp" Gertjan Willems analyzes two film projects of Frans Buyens. In 1970, Buyens received a positive funding recommendation for Top-Hit Girl, a satire about community difficulties in Belgium. However, Minister of Culture Frans van Mechelen refused to support the...

The article focuses on the Italian cinema in building collective memory post-war transitional phase. It tackles neorealist humanism and descriptive style, together with its obliteration of Fascism. These features contribute to ‘cultural trauma’: a symbolic activity reshaping identity. Finally, scrutinizes non-fiction works representing contested area, political historical terms: Tr...

3D cinema and 3DTV are at two different levels in the screen size spectrum. When the same stereoscopic-3D content is viewed on a cinema screen and 3DTV screen, it will produce a different 3D impression. As a result, it is difficult to fulfill the requirements of 3DTV with content captured for 3D cinema. Thus, it is important to properly address the issue of 3DTV content creation to avoid possib...