Interactive Drama is the ultimate challenge of digital entertainment. In this paper, from our seven year experience in Interactive Drama, we try to shape the history of the field and envision what will be (or should be) the future of this history. Two main directions in particular are stressed, because we feel that the success of Interactive Drama lies in these two directions. The first one con...

A drama manager is an omniscient agent responsible for guiding players through the story space and delivering an enjoyable experience to the players. Most drama managers only consider the designer’s intent. We present a drama manager that can provide personalized guidance while giving players the appearance of full agency. Our system is evaluated on an interactive storytelling game built with C...

In interactive drama, whether for entertainment or training purposes, there is a need to balance the enforcement of authorial intent with player autonomy. A promising approach to this problem is the incorporation of an intelligent Drama Manager (DM) into the simulated environment. The DM can intervene in the story as it progresses in order to (more or less gently) guide the player in an appropr...

In interactive storytelling systems and other story-based computer games, a drama manager is a background agent that aims to bring about an enjoyable and coherent experience for the players. In this paper, we present a personalized drama manager that increases a player’s expected enjoyment without removing player agency. Our personalized drama manager models a player’s preference using data-dri...

Substantial research effort has been put into creating a truly interactive drama that is not only entertaining but also gives the player a sense of coherency and that she is an active participant in the unfolding drama. A fully interactive drama has the potential of revolutionising entertainment, gaming, education, therapy and news coverage. If pre-authored stories are directly implemented into...

This study aims to design a new kind of interactive drama, where the user interacts in depth with the course of the narrative, while the dramatic intensity is retained. Based on various theoretical sources on narrative and drama, a model is put forward. This model is used to build a computer system of interactive drama.

This paper provides a critical review of existing interactive drama systems. An interactive drama takes place within a virtual world in which the user has a high degree of freedom to physically and mentally interact with non-player characters and objects within a dramatically interesting experience which is different on every play, and adapts to the user’s interactions. Those criteria which sho...

Interactive drama has been discussed for a number of years as a new form of AI-based interactive entertainment (Laurel 1986, Bates 1992). While there has been substantial technical progress in building believable agents (Bates, Loyall and Reilly 1992, Blumberg 1996, HayesRoth, van Gent and Huber 1996), and some technical progress in interactive plot (Weyhrauch 1997), no work has yet been comple...