This paper explores the use of growth processes, or embryogenies, to map genotypes to phenotypes within evolutionary systems. Following a summary of the significant features of embryogenies, the three main types of embryogenies in Evolutionary Computation are then identified and explained: external, explicit and implicit. An experimental comparison between these three different embryogenies and...

This paper advances newmethods for ecosystemic approaches to evolutionary music and art. We explore the biological concept of the niche and its role in evolutionary dynamics, applying it to creative computational systems. Using the process of niche construction organisms are able to change and adapt their environment, and potentially that of other species. Constructed niches may become heritabl...

This section presents a brief but comprehensive summary of the history of evolutionary computation, starting with the ground-breaking work of the 1950s, tracing the rise and development of the three primary forms of evolutionary algorithms (evolution strategies, evolutionary programming and genetic algorithms), and concluding with the present time, in which a more unified view of the field is e...

A literature survey of non applicative research is conducted on all attempts that have been made to enhance the design of Interactive Evolutionary Algorithms (IEAs) by theoretical means. Emphasis is put on theory and builds over the exhaustive application oriented survey made by Takagi [36]. After having positioned the study in its background and described the only attempt of mathematical model...

This chapter examines the possibilities and challenges that lie ahead for evolutionary music and art. Evolutionary computing methods have enabled new modes of creative expression in the art made by humans. One day, it may be possible for computers to make art autonomously. The idea of machines making art leads to the question: what do we mean by 'making art' and how do we recognise and acknowle...