This paper examines two questions that emerged from a viewing of Hotel Pro Forma's contemporary peiformance The Algebra of Place. It questions how and why the viewer's perception altered when observing the convergence of live and mediatised peiformance, with particular reference to an altered perception oforiginal and copy. It also questions the perception ofspace, time and the per­ former's id...

The aim of the article is to investigate phenomenon intermediality in 2015 novel Buried Giant by British writer Kazuo Ishiguro. Particular attention paid notion “literary cinematographicness” (also known as cinematic or filmic mode), which defined use techniques and effects literature, thus creating effect multimodality, with a dramatic-intensive flow events text. Analyzing examples from Ishigu...

Sahne, dekor, ışık, ses, oyuncu, seyirci, yönetmen ve tasarımcı gibi çeşitli unsurları bünyesinden toplayan tiyatro, ortamların/medyaların etkileşime girdiği medyalararası bir sanattır. İlk ortaya çıktığından bugüne içinde geliştiği çağın olanaklarını kullanarak anlatmak istediği hikayesini seyircisine sunmaya çalışan bu, on dokuzuncu yüzyılda elektriğin bulunmasıyla birlikte geliştirilen tekno...

The paper Lending an Ear to Mozart’s Operas. Stanisław Barańczak’s Poetic Translation Experiments examines the issues of intermediality, in particular relationships between music and literature mixed creative genres fusing disparate media expression. brief study discusses connections inter-dependencies by Wolfgang Amadeus Mozart, Italian libretti Lorenzo Da Ponte, their translation Barańczak hi...

Raymond Bellour observes that, in terms of the dispositif, it has been some time since cinema could be classified according to Serge Daney’s designation “cinema, alone”, that is, when was only art provide moving image and sound; indeed, suggests although we came believe “the dispositif”, perhaps ever just one multiple dispositifs (2). In Cinematic Intermediality: The Passion for In-Be...