Visual communication is a process of sending and receiving messages using images. Visual literacy can be defined as the “ability to construct meaning from visual images” (Giorgis, Johnson, Bonomo, Colbert, & al, 1999: 146). To make meaning from images, the ‘reader’ uses the critical skills of exploration, critique and reflection. Lapp et al (1999) use the term “intermediality” to describe the c...

Intermediality and Sinmediality in Contemporary Video Art: Robert Cahen Pierre Boulez The French video artist (Valence, 1945), member of the Groupe de Recherches Musicales (GRM) founded Paris 1958 by André Schaeffer, begun to apply images experimental techniques so-called «musique concrète» early Seventies. Since his first («L’invitation au voyage», 1972) manipulates like sounds explores dimens...

The article questions the traditional application of intermedial categories to literature. It aims show that thinking in modes and clear-cut suggested, among others, by Lars Elleström, though systematic presumably universal, is limited considerably narrows down potential literature interart exchange. literary examples discussed: Orhan Pamuk’s Museum Innocence Patrick Gale’s Notes from an Exhibi...


 During the intensive critical debates around adaptation of Burgess’s novel, which mainly raised issues fidelity and obscenity, Stanley Kubrick repeatedly claimed “[i]t’s all in plot.” By saying this, he was not only referring to a narrative plot, but also inherent intermediality text. Indeed, beyond obvious tense duality between orality represented by nadsat slang literary, written text,...